E-SUPPLEMENT TO THE JOURNAL FOR CULTURAL AND RELIGIOUS THEORY
The following is the second of a two-part series. The first can be found here. In short, then, despite the absence of God in Bad Times, the characters all come to experience each other in painfully open ways and several even develop bonds akin to what Ryan Preston-Roedder has described as “faith in humanity,” insofar […]
The following is the first of a two-part series. “God is the ‘beyond’ in the midst of our life.” – Dietrich Bonhoeffer[1] “Are you lost, Father?” “Sorry?” “Are you lost?” “No. I suppose not.” – Darlene Sweet and Father Flynn speaking the first lines of Bad Times at the El Royale Classically, philosophers spoke of […]
The following is the second of a three-part series.The first can be found here, the second here. In sum, Boff proposes that a person is an indivisible body-soul unity who exists in dialogical relations and can transcendence social limitations by loving the socially inferior. Martin Buber’s philosophy of dialogue also emphasizes the capacity to love. Love […]
The following is the first of a three-part series. Brazil: One Soul with Varied Degrees of Human Dignity “Manda quem pode, obedece quem tem juízo”[1] is an old Brazilian proverb. It synthetizes, in two clauses, the dominant value of the Brazilian political culture: hierarchy. I claim that the Brazilian dominant cultural conception of human dignity […]
The following is the first of a four-part series. In the Christian tradition, the question of whether philosophy is necessary for theology, or even relevant to it, is a question almost as old as theology itself, for no sooner had theologians embarked upon the project of a programmatic exposition of faith than they found themselves, […]
The following is the second of a two-part-series. The first can be read here. What specifically sets horror apart from other genres such as fantasy and science fiction? The distinction can be distilled down to the genre’s affect of fear. As already established, horror is distinctive from other genres in that it fosters a feeling […]