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JCRT 10.2 Spring 2010 | Homepage 1 Archives 1 Search 1 Blog |
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Vol. 10, no. 2 - Spring 2010 |
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H.D. and the Archaeology of Religion The modernist poet Hilda Doolittle, dubbed “H.D.” by Ezra Pound, is somewhat of an archaeological artifact herself. Susan Stanford Friedman framed her... . |
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Robert Duncan Notebook Scans:
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The Anthropologic Eye: H.D.'s Call for a New Poetics The depictions of ancient artifacts in H.D.’s poems have long been a signal of her interest in Hellenism, yet her engagement with antiquity exceeds the classical allusions to mythic characters common among... |
"Tear Us An Altar": Erotic Violence, and the Self-Unmade Prophet Shannon McRae, SUNY, Fredonia The correlation between dangerous passion, artistic inspiration, and religious gnosis has long been established in poetic tradition. The condition of poetry, according to Plato... |
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"An Unusual Way to Think": Trilogy's Oracular Poetics Written in the aftermath of the World War II bombing of London, the first book of what would become H.D.’s Trilogy1 opens with an image that juxtaposes the ruins of her beloved city... |
"There Have Been Pictures Here": Spirit Photography and
Written in October and November of 1944, Tribute to Freud chronicles the analysis H.D. underwent with Sigmund Freud a decade earlier in order to prepare herself for the onslaught of war... |
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Symptom or Inspiration? H.D., Freud, and the Question of Vision In 1934, the same year he concluded H.D.’s training analysis, Sigmund Freud began work on his final major study, Moses and Monotheism, a speculative reconstruction of ancient Near Eastern history.... |
Vision, Paranoia, and the Creative Power of Obsessive Interpretation The concept of parataxis is a familiar one in the study of H. D.’s poetry.1 H. D.’s immediate and stark juxtapositions of images and phrases, especially prominent in her early poetry, require her reader to attempt... |
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