The Semiotics of the Unconscious in Gilles Deleuze and Roland Barthes, Part 2 (Roger Green)

The following is the second of a two-part series.  The first installment, published on Dec. 19, 2016, can be found here.   In Writing Degree Zero, Barthes suggests disengaging from literary language by creating “a colorless writing, freed from all bondage to a pre-ordained state of language.”[1]  He says “writing at the zero degree is basically […]