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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id">jcrt</journal-id>
      <journal-title-group><journal-title>The Journal for Cultural and Religious Theory</journal-title></journal-title-group>
      <issn publication-format="electronic">1530-5228</issn>
      <publisher><publisher-name>Whitestone Publications</publisher-name></publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="publisher-id">14.2.simmons-intro</article-id>
      <article-categories><subj-group subj-group-type="heading"><subject>Article metadata</subject></subj-group></article-categories>
      <title-group><article-title>Introduction: the Dialogical Promise of Mashup Philosophy of Religion.</article-title></title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>J. Aaron Simmons</string-name>
        </contrib>
      </contrib-group>
      <pub-date date-type="pub" publication-format="electronic">
        <year>2015</year>
      </pub-date>
      <volume>14</volume>
      <issue>2</issue>
      <fpage>204</fpage>
      <lpage>210</lpage>
      <permissions><copyright-statement>Copyright held by the author(s). All rights reserved.</copyright-statement></permissions>
      <self-uri content-type="html" xlink:href="https://jcrt.org/archives/14.2/simmons-intro/"/>
      <self-uri content-type="pdf" xlink:href="https://files.jcrt.org/archives/14.2/simmons-intro.pdf"/>
      <abstract abstract-type="summary"><p>An introduction is presented in which the editor discusses various reports within the issue on topics including the concept of mashup philosophy of religion, mashup music, and the challlenges that mashup philosophy might face as of March 2015.</p></abstract>
      <kwd-group kwd-group-type="author-generated">
        <kwd>philosophy-of-religion</kwd>
        <kwd>philosophy-religion</kwd>
        <kwd>mashups-musical-form</kwd>
        <kwd>Philosophy Religion</kwd>
      </kwd-group>
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  </front>
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