Renée Barry
Matilda Joslyn Gage Foundation
earned an MS in Environmental Studies from the State University of New York College of Environmental Science and Forestry, as well as a BA in Environmental Humanities from Sterling College. They completed a Research Fellowship with the Erie Canal Museum and recently earned the role of Museum Assistant at the Matilda Joslyn Gage Museum and Center for Social Justice Dialogue. Additionally, they are currently an Artist in Residence at EcoGather. Each month, they share their latest work and a brief statement about the offering. A collection will continue to build over the year, populating EcoGather's website with free art that is intended to be accessible to all.
1 Posts | Website
Deconstructing the Erie Canal: Three Lessons for its Next Century
In this bicentennial reflection on the Erie Canal, Renee Barry examines how celebratory public histories mask the canal's foundation in settler colonial violence on unceded Haudenosaunee land. Drawing on archival research, heritage tourism analysis, and museum narratives, the essay deconstructs myths of progress, civilization, and national destiny embedded in iconic commemorations such as the Wedding of the Waters. Barry argues that these narratives normalize environmental damage, erase Indigenous sovereignty, and recast genocidal dispossession as American achievement. The article links canal ideology to Christian dominance, European expansion, and the legal legacy of the Doctrine of Discovery, while also tracing how revivalist and reform movements reproduced similar hierarchies. Blending critical history with self-reflection, Barry calls for a different future in which Erie Canal memory is reoriented around Indigenous leadership, sacred relationships to place, and accountable ecological repair rather than triumphalist nostalgia. She urges institutions, educators, and visitors to confront inherited narratives and support decolonial stewardship in practice.